The Work of Art in the Age of The Digital Replicant
January 27th, 2012{ schokoladen , ackerstr. }
Notes On…
The Work of Art in the Age of The Digital Replicant
( work-in-progress )
…
To begin, many thanks to Chaos Clubbers, Telekommunisten, Interflugs… and the Mindpirates programmers, for illuminating Many things last night!
…
Dear Mpirates: ” Great atmosphere last night ! … so glad to see someone setting up extended family, extended living room jam session nites ( like slow-food for the ears and mind/body-belly). I had just come from an intense, deeply Nerdy, Very political … but also ABSOLUTELY NECESSARY discussion on Netwrks + Free Culture set up by Interflugs – an autonmous students’ org at UDK. And then coming to Mpirates space was like … OH SHIT! … WITHOUT exquisite PHYSICAL SPACE, i.e. FREEZONES, all this internetz debate is just the pus in the boil. ( Funny how travis’ sampled bit at the end of the jam poking fun at all that buzz + babble about net + gadgets read my mind completely). Keep on jammin in the free world !”
…
Resistance to corporate culture requires a questioning of the virtual migration, and the digital pipelines. The age of mechanical reproduction advanced to the digital stage has in fact greatly mutated our concepts of what culture can be. Capitalism, or more specific to say transnational corporate capitalism, has uploaded some strangely alluring notion into our heads, that we must all strive to aim our ‘cultural hoses’ towards the globalized user ( the prosumer). This in most cases, feels more like a trick of the current Evil Operating System – that content + culture + distro mafia – to capture all that creative output with… an easy net. And That to survive making art would mean we must ultimately connect w/ audiences everywhere. To brand ourselves on multiple platforms. This all lends itself to becoming more like globalization culture meets the “filthy rich fantasy”, than perhaps a sweet and socially productive realm of Free Communications.
Should an artist, or any cultural producer, aim for that globalization net (market), an idea now entrenched by the silicon vulture ideal ? It is fun and intriguing and stimulating for us to generate some interest in our music or our concepts in some faraway remote… japan, russia , the philippines, Taipei or Timbuktu, Topeka. But in reality what happens on the ground, in one’s own immediate community, is where you live and breath the Art World, and where you try to live fully in the present moment. We are just stepping into an extremely superficial + capitalistic (art) market game, if we try to reach beyond that, at least before we have contributed to painting our own neighborhood w/ any of our creative gifts. Not to mention, the urgent necessities of DEFENDING our own hood !
XLterrestrials do not deny that the appeal to be a transnationalist art star… “connected” … or reaching out and around for knowledge and friendships throughout the great diversity of this planet. But this focus on making our mark on the web to make it… has the artworld running around like Little Big dogs trying to piss on every tree at once.
If we take the music world as one example …
Music has become one of the forms that made a somewhat logical transition to this digital reproducibility, and now it’s hard to see the difference of what the musical culture is in its fullest and most potent form. a full-bodied event.
Following the Interflugs talk at West Germany, a great series of lectures called Behaving Differently, we went to the Mindpirates space which has set up a whole week of live jam sessions ( 4-6 hours long or more ) … in a kind of lush living room environment. It wasn’t exactly free culture, yes, a little commerce + bar biz goin on. And it was connected w/ a kind of marketing hipness – with some semi- electro- underground celebs from mostly the US? , which the XLt has grown a little weary of. But it was still a powerful reminder that music, and environments to share them in together, are the primary and essential use of music, where music meets life.
Music is Not about consuming it in enclosed packages, packets + files, to keep up with the hipper joneses, to find the latest coolest flavor of the month, to listen to on gadgets and in isolated headspace.
Sure we can do that, and it may help us thru our difficult + highly cubiclized days… but we would fare better not to forget that music in all its glory is both a shared intimate ( + public) experience. ( big hall + stadium concerts are btw another pet peeve, but we’ll leave that one aside for now ).
And somehow this concept of sharing has become a mass communications and technicality obsession, or a bastardized piss stream on the corporate game board, and here we are often enduring the new digital ‘freedom fighters’ discussing how we can up the digital arms race, out-manuever the culture mafia for a few months to slip our friends that new track or remix that anyway the entertainment industry has stuffed onto our brain-shelf.
Of course we know and fully respect the heavy-hitter hackers are aiming for user/ producer formulas, so we are not downloaders, but co- creators… but even this struggle gets a little tangled in the techno dope of all those global mechanical + wired tentacles + portals.
[ There are HUGE political reasons to fight for all manner of positive social outcomes via the digital spectrum, and the whole potential to create a new territory of socially productive and non-destructive environments for new labor, but we should be aware the impacts this media+capital arms race / factory is having on our cultures. ]
ANd speaking again in regards to this one form of cultural production, Music is nothing without the spaces to make it and celebrate it together!
For Berliners this means there will be too few pure music (events) without our Schokoladens, our Klub der Republiks, a Mindpirates Verein ( not currently in danger) , a Tacheles, a Maria, etc, etc.etc….
…
{ Klub der Republik, the latest club about to fall }
p.s. a crucial footnote, Clubs are only one level of this struggle for freezones… more importantly when was the last time you were in a non-commercial artists’ or citizen’s HOME, where you got to experience a great concert, a great creative gathering, a non-bizness related art event…
we don’t just want club spaces, WE WANT THE WHOLE FUCKIN BAKERY !
…
In Part 2 : We will have to address some incredible thoughts and ideas brewing in the free culture struggles… ideas from the Interflugs discussion last night from Dmitry Kleiner, Frank Rieger and Constanz Kurz et al… controlling the means of cultural production !! Kulturwertmarkt !! etc.
( but we had to rant first : )
tbc






























